Suchergebnisse für: "Under the 'Force Continuum', what is the first level of police response when dealing with a cooperative suspect? * 1 point"

Stereo Reverb with 8 Engines including presets.

Over the decades key artists such as Jerry Donahue, Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.

Experience the dreamy sound of a classic ‘60s tape echo complete with the harmonic richness of the accompanying tube preamp.

High-Gain Distortion Pedal with built-in VCA Noise Gate

The Halo Bender is a versatile distortion pedal created out of my desire for classic rock, guitar tones.

Like the Germanium Fuzz before it, the Stonk Box attempts to take a classic 1960’s fuzz design, with added Automatic Thermally Bias.

The Equinox is an expansive tone shaping tool inspired by studio equalizers of the past. Spaceman has thoughtfully analyzed these classic circuits to lovingly craft a modest form factor, instrument level focused design.

MARELD Fuzz #1 (Germanium) MARELD Fuzz #1 is a germanium fuzz face circuit. Hand painted & handwired point-to-point in Stockholm.

THE FIRST FUZZ PEDAL WITH AUTOMATIC THERMAL BIAS TECHNOLOGY

This Box of Rock simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.

THE ELECTRIC LIGHTNING is a creation designed to meet the exacting needs of Chris Buck who utilizes a wide palette of sounds from crystal clear and punchy cleans through to nicely saturated overdrive.

The Protein V4 introduces several key updates for even more versatility and tonal control: