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THE FIRST FUZZ PEDAL WITH AUTOMATIC THERMAL BIAS TECHNOLOGY

The Zenith And Vales pedal produces unconventional, angular fuzz tones with intense digital distortion, resulting in wild peaks and valleys.

This special edition features an all-new finish to celebrate the 30th anniversary of Green Day's monumental release in 1994: Dookie.

At the heart of the Prometheus 3 are an analog high pass and low pass filter inspired by our favorite 1970s monophonic synthesizer classic. Like the MS20 these filters are controlled separately. You can make them do completely different things at the same time.

Released in 1981, the Omnichord is an electronic musical instrument with an automatic accompaniment function (auto bass/chord) and equipped with a harp sensor. By pressing a chord button and sliding your finger on the harp sensor (strumplate), an arpeggio corresponding to the chord is heard, allowing anyone to easily accompany a song. Omnichord does not require any previous musical experience with an instrument, or even knowledge of staff notation.

Dusk is a digitally controlled analog filter. At its heart is an analog 12dB/Octave low pass filter based around an old-school integrated circuit called an Operational Transconductance Amplifier or OTA. The OTA runs off of split +/-9V rails for great audio quality and a deep filter sound.

Our second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Versatile digital ring modulator with 3 unique operating modes!

Octaves, Fuzzes, Filters, Wahs—that's the stuff we love, Oh Yeah!!

Like the original from 1980, the new Crash Pad can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter.

The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in. It's delay. Into modulation. And it's weird.

The Many Worlds is an eight-stage phaser with eight selectable phase control parameters, six LFOs and two envelope-dependent phase shift modes.