Effektgeräte

Designed to capture the dark, aggressive character of doom metal, this hybrid preamp and distortion pedal delivers a gritty, heavily textured drive with a fuzzy, blown-out quality. The result is a dense, aggressive sound well suited to slow, heavy riffs and saturated low-end tones.

Big Muff tone - but with a big twist: Instead of the traditional NPN transistor stages, Inversions uses CMOS inverters to build up its gain stages - the same chip used in the Sunn Beta Lead. This gives the pedal a sound that lies somewhere between the traditional, fuzzy tone of the Big Muff and the thicker, angrier sound of the Beta Lead.

What happens when you take a Valvestate 8100, and conduct unholy experiments on it with the goal of turning it into the most unforgiving chug-machine ever conceived? You end up with Codename X81 - our hardest hitting preamp to date... and today, the experiment escaped the lab.

While on first glance this pedal looks like a straightforward overdrive/preamp, it has some surprises. Whether on its own or stacked with other drives, the Aaron Graves Overdrive brings both clarity and heft to the proceedings. And if it can get a bit gnarlier than people expected, we were reminded that Aaron learned guitar from learning Misfits songs.

The Electronic Audio Experiments Halberd is a discrete transistor overdrive circuit designed for the greatest possible dynamic range and note clarity. It fills a special niche our family of drive pedals—a medium-gain device with the harmonic fullness and grind of a much higher-gain pedal, one that stands apart from both the brazen buzz of op amp distortion and the smooth breakup of JFET amp emulations alike.

The Horoscope Echo Sequencer is a delay and reverb pedal that manipulates clock speeds to turn echoes into evolving rhythms and melodies. It begins with the technique of jumping delays to different time divisions to simultaneously shift delay time and pitch, and then expands that phenomenon into vast new musical spaces.

Splinter Twin is your sonic familiar. It clones your signal, alters that clone in time, pitch, texture, phase and feedback, and then re-combines the altered clone with your original signal to create something altogether new.

Highly surprising great sounding fuzz with optional modulation and extended controls. Have a look!

A four-voice instrument for harmonic exploration, layered textures, and hands-on ambient performance

Built around a custom JAM inductor inspired by vintage TDK designs, the mk.2 retains the original’s expressive response and six-position SWEEP control. It adds an internal Q trimmer, selectable guitar and bass modes, the return of optional 9V battery operation, and a custom rubber tread replacing the previous plexiglass cover.

The Fart Pedal: Number Two finally available.

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