Effects pedals

. It starts with three individual Expression Rampers, which are devices allowing you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. It then adds tempo syncing, new LFO shapes, and other external controls, all in one tidy box. It is the ultimate device for getting new sounds out of your existing expression-enabled pedals.

The Ground & Pound started as an idea to have a Rat style pedal and a Bass Equalizer combined into a single unit. The great advantage of this design is that one can explore the gritty character of the distortion while retaining its low end.

The Alma Compressor MKII - it retains all its original elements such as an internal voltage doubling circuit, and a Clean control to be blended with the compressed signal plus new features of the MKII are a Ratio switch, allowing the user to select between 2:1, 4:1 and 8:1 compression Ratios, as well as a visual indication of how much compression is being applied to the input signal.

Dark Light is a dual reverb featuring both Dark Star and Sunlight.

The Squish As is the perfect always-on compressor with controls you understand.

The Beam Splitter - Automatic Triple Tracker Distortion brings a new and unique twist to distortion. Capable of creating a massive wall of sound, its three different flavours of drive have been meticulously voiced to complement each other well.

The Del Mar was conceived in an effort to add a Tubescreamer-style clipping stage to the Klon Centaur. I’ve always loved the clean half of the Centaur, but my favourite clipping stage has always been the articulate and detailed response of the Tubescreamer.

The Sick As Overdrive is a diversion from the well-worn path, taking its basic structure from the Klon Centaur® but with some major improvements for the modern player. The gain control serves a dual purpose— as the gain is increased, the ratio of gain-to-clean tone increases as well.

Variable Clock effector, a reverse effect that allows the user to change the clock speed of the entire sonic system.

Modular Delay System with pro audio heritage, advanced processing and high performance signal path.

Float boasts two independently controllable filters and copious capabilities for motion. Utilizing the two filters in tandem can create stereo movement, linked reactive elements, and modulations that approach harmonic tremolo and phaser, as well as classic filter sounds.

With delay, chorus, and harmonized fifths available along with distortion in series or parallel configurations, Excess V2 unveils more sounds and even more control.