Bass Effekte

The Flattley Bass Wah is based on the principles of several classic Wahs that use a filter known as the “twin t resonant filter”. During development, several genuine classic Wahs were analysed to determine the characteristics that give old Wahs “that sound”. The Flattley prototype Wah pedals were tested by several experienced users of older classic Wah pedals until they were satisfied that the sound was right.

The “Bass Filtron” is a bass guitar envelope filter which gives an auto wah style effect. This pedal has 3 control knobs for range, attack and decay plus a Hi/Lo toggle switch and has great sound control.

The ultimate drive pedal for bass From low to high gain, The Empress Bass delivers an organic, touch-sensitive saturation with the grain of a true amp. Its advanced Blend and active 3-band EQ ensure a powerful, defined tone that always cuts through the mix.

The “Bass Star Fazer” is a 4 phase stage bass phaser with a quartet of matched transistors. The two control knobs allow you to dial in depth and rate giving you a clean, smooth super phasing effects.

The “Bass Poison Ivy” pedal is based on the sort of preamp you would find on a bass amplifier

Explore sympathetic strings, granular textures, vinyl inspired delays, resonators, modulated vocal modelling, wavefolding and microlooping.

The Fuzzbillion is a distortion device for guitar, bass and synthesizers. The numerical switches provide the ablity to shape the distortion in ways far beyond conventional distortion devices. It has high-impedance guitar Inputs and Outputs switchable to Transformer-Balanced line-level Inputs and Outputs.

The TK421 is the same tone maximizer circuit added to the Blower Box to make the LandPhil. FREAKY controls the bass, DEAKY controls the treble and BLAST! controls the output volume.

The “Bass Chief” is an op amp based distortion pedal specifically designed for bass instruments, however you can use it for guitar if you wish. The pedal buffers and splits the incoming signal, one half is distorted by the amount set by the ‘Gain’ control which is then further shaped by the ‘Bass’ and ‘Treble’ controls. The two signal paths meet again at the ‘Blend’ control allowing the original signal to be mixed with the distorted version.

The Rosa (Bass) Overdrive was born from the concept of a drive pedal that emulates playing through a tube-amp, getting pushed and saturated.

Following the success of our Bass Compressor—and after hearing from countless players who were already using the ParaEq MKII Deluxe on bass—we knew it was time to give bassists more than a “good enough” EQ. The Bass ParaEq delivers the same transparent, tone-sweetening power that made the Deluxe a favourite, but with frequency ranges, filters, and features tailored specifically for bass.

The Alma Compressor MK3, an opto-isolator compressor, is an evolution of its predecessor; it retains all the original elements and it adds a few more…