Effektgeräte

Shoegaze In A Box

The Moby Dick is not just another tape delay. The Moby Dick goes beyond traditional tape emulation, with unique and creative tools packed inside. Experimental features alongside the warmth and charm of a vintage tape delay. It is a spiritual successor to its namesake, but loaded with new quality-of-life and sonic ingredients.

rosetones creates a polyphonic synth voice that follows your playing. it listens to your notes and routes them through sympathetic resonators, creating blooming harmonic textures and evolving chords.

Setback focuses exclusively on the magical texture of sounds in reverse, without anything else getting in the way. With a streamlined control set, the user controls sample rate, delay time and playback speed, creating pitch shift effects and much more, with all the utilitarian bells and whistles of the modern era included: stereo in and out, presets, full MIDI control and so on.

The F1 consists of two separate filters; on one side the filter can sweep between 50Hz and 6Khz and you can select between Low-Pass and Hi-Pass.

The Black Fortress started out as an HM-2 inspired bass distortion. HM-2? What? Isn't that shit overplayed in the game now? Well not this one. It has evolved into it's own unique BEAST set for maximum beef and grind!

It's a 4 stage phaser with a sample and hold control that allows for a smooth LFO all the way to choppy random phase blips! WIDTH and RATE control the shape and speed of the sample and hold, SPEED controls the main speed of the phaser LFO and OUTPUT is the master volume control.

The Monster Fuzz is a souped up Frankensteined Super Fuzz octave style fuzz. What's super rad about this one is that the VOLTS control sets the internal voltage anywhere from 4-18VDC and LOW and HIGH are low/high frequency controls so along with the SCOOP control you can get all kinds of wild Super Fuzz style tones!

Shape how gain behaves, not just how much of it there is. The Empress Drive is an analog overdrive that puts you in control of your drive sound. Pre-overdrive mid shaping changes how the circuit saturates, while flexible boost routing, clean mix, post-EQ, and an adaptive noise gate deliver a powerful all-in-one gain platform.

Amverb is stereo reverb pedal, and an emulation of the classic Alesis Midiverb II from 1989.

A type of reverb that sits between the mechanical and algorithmic devices of yesteryears. Creating uncanny liminal spaces, reminiscent of a time that never was. A time that is now. This is not a delay that sounds like reverb, but a reverb that sometimes sounds like a delay. Yes, the signal path is all analogue. Expect noise and that magic we all love.

Introducing the Buffer++: The ultimate utility pedal. Pristine buffering, plentiful I/O, and advanced signal control. Route anything, adapt on the fly, and preserve every nuance of your carefully dialed-in sound.