Wah-Wah

The Flattley Bass Wah is based on the principles of several classic Wahs that use a filter known as the “twin t resonant filter”. During development, several genuine classic Wahs were analysed to determine the characteristics that give old Wahs “that sound”. The Flattley prototype Wah pedals were tested by several experienced users of older classic Wah pedals until they were satisfied that the sound was right.

Combining a classic resonant filter with a proprietary optical envelope-detection circuit—the LF-01 literally turns your instrument into an analog synth.

The Flattley Wah is a very tight, articulate and vocal sounding Wah pedal which can handle as much gain as you want depending on your style of music. It also remains very tonal if being used clean, giving you an awesome individual expressive tone that will wow your audiences.

At the heart of the Prometheus 3 are an analog high pass and low pass filter inspired by our favorite 1970s monophonic synthesizer classic. Like the MS20 these filters are controlled separately. You can make them do completely different things at the same time.

This is THE model if you want a classic wah sound with lots of soul. The PW works with most any pickup and any amp configuration.

Choose between the distinct "seagull" sound heard in Pink Floyd's "Echoes" or vocal, vintage cocked-Wah tones, courtesy of the celebrated Red Fasel inductor also found in our Wahcko.

Octaves, Fuzzes, Filters, Wahs—that's the stuff we love, Oh Yeah!!

RMC11 features the longest and smoothest sweep of any RMC wah. Authentic Italian Vox tuning, but with a longer sweep than any Italian Vox ever built.

The BLOSSOM FILTER is RANDALE PEDALE´s missing link between modulated wah and tremolo.

A SUSTAINER, WAH, FILTER, PITCH SHIFTER, AND HARMONIZER ROLLED INTO ONE

enveloping and filter sweeping and overdriving

Get funky - with one of the world’s best auto-wah/envelope filter pedals - version 3...