EQ / Filter

Der emens BLUE ist ein 2-stufiger Shelf-Filter-Booster, besser bekannt als Presence- und Resonance-Regler als FX Pedal.

Der emens RS Mk3 ist bereits die 3. Generation der Vorverstärker-Pedal-Serie „Rosetta Stone“, – mit einem aktiven & passivem Tonestack, auch verwendbar für den Betrieb vor dem AD-Wandler.

Der emens.labs MidBooster ist ein echter Spezialist, ein Mittenband-EQ und 3-stufiger Booster für E- Gitarren als auch für akustische Gitarren. Er kann als linearer, rauscharmer Booster für Instrument/Line-Signale im gesamten Frequenzbereich 30Hz-15kHz eingesetzt werden.

The “Bass Filtron” is a bass guitar envelope filter which gives an auto wah style effect. This pedal has 3 control knobs for range, attack and decay plus a Hi/Lo toggle switch and has great sound control.

The Crossover Fuzz is a screaming, swirling filter-fuzz monster. It takes your signal, slices it into high and low frequencies, and then absolutely wrecks each band with Death By Audio’s signature fuzz. Like a crossover circuit on a rampage, it gives you independent control over each half of your sound (highs and lows), letting you shape, destroy, and reimagine your tone like never before.

The TK421 is the same tone maximizer circuit added to the Blower Box to make the LandPhil. FREAKY controls the bass, DEAKY controls the treble and BLAST! controls the output volume.

Following the success of our Bass Compressor—and after hearing from countless players who were already using the ParaEq MKII Deluxe on bass—we knew it was time to give bassists more than a “good enough” EQ. The Bass ParaEq delivers the same transparent, tone-sweetening power that made the Deluxe a favourite, but with frequency ranges, filters, and features tailored specifically for bass.

Combining a classic resonant filter with a proprietary optical envelope-detection circuit—the LF-01 literally turns your instrument into an analog synth.

At its core, the POG3 delivers lightning-fast tracking and perfect polyphony over 4 octaves with smoother tone and performance than ever before. From 12-string jangle to 6-voice drawbar organ sounds, the POG3 delivers an endless possibility of tone creation. The pedal has received many updates that further expand its tone shaping possibilities to enhance your performance on stage and in the studio.

TARS is a fuzz/analog filter pedal. It means "This Audio Reached Singularity".

TARS DLX is a dual fuzz with 2 analog filters inspired by the MS-20.

The BitQuest is a mono multi-effects module featuring 8 fun and adventurous patches that can be used with or without a built-in digital fuzz.