Distortion

This pedal is a modified version of our Box of Rock’s Distortron Engine. The improvements include a gain boost switch for added sizzle and a sub control switch with 3 levels.

Based on the Peavey amp, this preamp pedal is built to achieve that super saturated death metal guitar tone. Famously stacked with chainsaw tones to get that Slaughter of the Soul guitar tone. This is the high gain channel as a standalone preamp with some modifications. My modifications maintain the original character but are what consider "quality of life" upgrades as they just make it slightly easier to dial in.

What started out seeking the warm overdrive of the 808 but precision tone shaping of the ST9 to create anything from tight modern metal to fat blues grit resulted in the GRIM overdrive. Mix the versatile range of tone shaping controls with additional headroom from the internal charge pump and it's off to riff city.

This is the one for you if you're looking for heavy death metal brutality to put in front of your amp or use as a preamp into your interface or power amp.

The Ground & Pound started as an idea to have a Rat style pedal and a Bass Equalizer combined into a single unit. The great advantage of this design is that one can explore the gritty character of the distortion while retaining its low end.

High gain valve distortion pedal, 2 channels / 2 voices per channel, CabRig DSP simulator, Patented ISF tone stack EQ

The original Redrum was a RAT style distortion running into a maxed out HM-2 style tone stack, with one knob for distortion control and an internal volume control.

Zoar is a medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that touch sensitive amp-like quality to it that everyone craves. It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.

The EHX Micro Synth can create some of the most popular synthesizer textures with its four voices: GUITAR, OCTAVE, SUB OCTAVE AND SQUARE WAVE, which are completely independent and fully mixable.

Aggressive punchy bass distortion

massive fuzz / distortion for guitar and bass

The Beam Splitter - Automatic Triple Tracker Distortion brings a new and unique twist to distortion. Capable of creating a massive wall of sound, its three different flavours of drive have been meticulously voiced to complement each other well.