Ghost Note Audio

Designed to capture the dark, aggressive character of doom metal, this hybrid preamp and distortion pedal delivers a gritty, heavily textured drive with a fuzzy, blown-out quality. The result is a dense, aggressive sound well suited to slow, heavy riffs and saturated low-end tones.

Big Muff tone - but with a big twist: Instead of the traditional NPN transistor stages, Inversions uses CMOS inverters to build up its gain stages - the same chip used in the Sunn Beta Lead. This gives the pedal a sound that lies somewhere between the traditional, fuzzy tone of the Big Muff and the thicker, angrier sound of the Beta Lead.

What happens when you take a Valvestate 8100, and conduct unholy experiments on it with the goal of turning it into the most unforgiving chug-machine ever conceived? You end up with Codename X81 - our hardest hitting preamp to date... and today, the experiment escaped the lab.

Amverb is stereo reverb pedal, and an emulation of the classic Alesis Midiverb II from 1989.

Conductor is a USB-powered MIDI controller with three, ultra-smooth 100mm faders. Designed specifically for the needs of film and games composers working with orchestral libraries, the extended travel faders give you perfect control over the expression of your virtual instruments.

3 Bit Fuzz is an experimental, multi-band bitcrusher. It's our attempt to do something a little bit different, and take some risk and try making an actually original pedal.

Swirls consists of three effects; a Tri-Stereo Chorus emulation, a micro pitch-shifter effect and an aggressive, VCA-style compressor.

A mid-gain amplifier, with a lot of tonal similarities to the Plexi and JCM800 valve amps that Marshall was producing at the time. It provides a pretty wide sonic palette, thanks to its two channel design, the "Tone" control knob on the lead channel, and the ability to partially bypass the tonestack, resulting in a mid-heavy, crunchy tone.

This preamp is based on the OD1 and OD2 channels of the original amplifier. Producing a very thick, saturated high gain tone, it was popular amongst metal bands in the mid-90's.

Based on yet another underrated "practice" amp, that found itself shaping the sound of the Scandinavian metal scene. When coupled with a quality speaker cab, inside we find a solid-state circuit that's one of the best ever built; aggressive tones, lots of variety and a wide range of tone control.

Provides fuzzy, warm and gritty distortion, perfect for grunge, stoner rock and everything in between. With the addition of a Boost switch, even more sounds are available on tap. Based on the Peavey* Decade practice amp.

High gain, tight and aggressive. Those are the words to describe the tone of the RG. The RGX100 provides the legendary sound of the high gain RG channel, in a compact pedal form. But that's not all, because we have improved upon the original... Based on the Randall* RG100ES.