Old Blood Noise Endeavours

The Beam Splitter - Automatic Triple Tracker Distortion brings a new and unique twist to distortion. Capable of creating a massive wall of sound, its three different flavours of drive have been meticulously voiced to complement each other well.

Variable Clock effector, a reverse effect that allows the user to change the clock speed of the entire sonic system.

Float boasts two independently controllable filters and copious capabilities for motion. Utilizing the two filters in tandem can create stereo movement, linked reactive elements, and modulations that approach harmonic tremolo and phaser, as well as classic filter sounds.

With delay, chorus, and harmonized fifths available along with distortion in series or parallel configurations, Excess V2 unveils more sounds and even more control.

High-Gain Distortion Pedal with built-in VCA Noise Gate

Dynamic Freeze Reverb

Expression Ramper allows you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. The mini enclosure size takes up minimal space while creating new sounds out of any pedal with an expression input.

The Old Blood Noise Endeavors Expression Slider is a fader for use with any pedal that has an Old Blood style expression input (see details below). Simply use a TRS cable to plug the Expression Slider into the Expression input and use the slider as you would a knob or expression pedal.

Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm of harmonic tremolo

The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else.. now with Tap Tempo

Parallel Multi-Modulatorwith three different primary modulation options (tremolo, chorus, and phaser) and two parallel secondary modulation options (tremolo and chorus)

Exploring the vast variety of sounds you can coax from one fuzz circuit, the Alpha Haunt gives the user the ability to dial in a wide swath of fuzz textures - from wide open overdrives to squashed sputters.