Suchergebnisse für: "this first under the sea"

Earthquaker Devices - The Sea Machine is a chorus pedal with ultimate control over parameters rarely, if ever, seen in a chorus before

A gated fuzz-echo in collaboration with Jessica Dobson of Deep Sea Diver. The echo is from a tweaked data-sheet PT2399 that is perfectly tuned to the fuzz side and has the standard time, feedback and level (echo) controls combined with a with a silicon three-transistor fuzz variant.

The Halo Bender is a versatile distortion pedal created out of my desire for classic rock, guitar tones.

Reeves Gabrels original signature model, but it’s loaded with a Sustainiac system for authentic and controllable feedback.....

Just when you thought it couldn't get more evil... Adjust the cascading gain stages to get the classic black metal tone or crank them to get crazy high gain riffage.

Desktop Federhallgerät mit Multimodefilter, Overdrive, VCA, Hüllkurvengenerator, LFO und mehr...

This is the one for you if you're looking for heavy death metal brutality to put in front of your amp or use as a preamp into your interface or power amp.

Marshall JCM800 style preamp

Higher Power is a 60W class d solid state power amp solution that is a perfect pairing for analog gear or digital modelers.

Based on the Peavey amp, this preamp pedal is built to achieve that super saturated death metal guitar tone. Famously stacked with chainsaw tones to get that Slaughter of the Soul guitar tone. This is the high gain channel as a standalone preamp with some modifications. My modifications maintain the original character but are what consider "quality of life" upgrades as they just make it slightly easier to dial in.

The Titan PreAmp Sweetener is tweaked to my taste and meant to be used with preamp pedals or in the FX loop of your amp that unfortunately doesn't have Presence and Depth controls. While this isn't true Presence control like your 5150, it's an emulation that brings additional character and life to your tone by simulating power amp dampening.

What started out seeking the warm overdrive of the 808 but precision tone shaping of the ST9 to create anything from tight modern metal to fat blues grit resulted in the GRIM overdrive. Mix the versatile range of tone shaping controls with additional headroom from the internal charge pump and it's off to riff city.