Suchergebnisse für: "wah ist ander blood in b"

The Flattley Wah is a very tight, articulate and vocal sounding Wah pedal which can handle as much gain as you want depending on your style of music. It also remains very tonal if being used clean, giving you an awesome individual expressive tone that will wow your audiences.

Expression Ramper allows you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. The mini enclosure size takes up minimal space while creating new sounds out of any pedal with an expression input.

The Cock Fight lets you achieve that cool cocked wah sound without the wah pedal.

Based on the original WR-3 circuit, the TWA Wah Rocker™ nails the squawky, slippery, super-funked-up filtering of the Guyatone version.

This is THE model if you want a classic wah sound with lots of soul. The PW works with most any pickup and any amp configuration.

The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in. It's delay. Into modulation. And it's weird.

Expression Slider is a fader for use with any pedal that has an Old Blood style expression input*. It is built for convenience and tactile experience, allowing external control where you need it - on the desk of your studio, velcroed to a guitar strap, or wherever else a TRS cable allows.

Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm of harmonic tremolo

Always On Barbershop

Combining a three-control analog tremolo and a multi-shape digital tap tremolo, the Old Blood Noise Endeavors Whitecap lets you find new tremolo textures by combining the two sounds in series or parallel.

. It starts with three individual Expression Rampers, which are devices allowing you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. It then adds tempo syncing, new LFO shapes, and other external controls, all in one tidy box. It is the ultimate device for getting new sounds out of your existing expression-enabled pedals.

Octaves, Fuzzes, Filters, Wahs—that's the stuff we love, Oh Yeah!!