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The JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter

The Fuller Drive with Boost is a double Pedal with the Fuller Drive and the Clean Boost.
A super dynamic overdrive in combination with a high headroom clean Boost
Both pedals work individually.

This next-gen compressor maintains the classic circuit architecture while increasing range and functionality. The new EQ section allows you to sculpt your tone in the same box that squashes it (that’s a good thing).

This next-gen compressor maintains the classic circuit architecture while increasing range and functionality.

An uber-flexible LFO, dedicated time sequencing, and resonant low-pass filter combine for the bounciest digital delay oscillations you can imagine.

The JAM pedals unabashed distortion monster.

Introducing the Devil's Triad™, the ultimate tool for guitarists seeking unmatched tone and versatility. This distinctive distortion/boost/delay/reverb pedal was created in collaboration with the great Jeff Loomis, best known for his work with bands like Nevermore and Arch Enemy. The Devil's Triad™ is an all-in-one solution for both live performances and studio sessions since it was designed to deliver Jeff's precisely tuned high-gain tones.

Designed with a 100% audio analog path, updated features and a compact footprint. Can also do chorus....

Original Overdrive with switchable Octavia circuit..

This compact reverb pedal brings you an arsenal of settings to tweak, yet with utilitarian simplicity and usability.

Over the decades key artists such as Jerry Donahue, Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.