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The idea behind the Solaris Pro was to create a simple fuzz box that would do a few tones well, a “fuzz without fuss”. To this end the gain is pre-set to max, the volume control of your guitar can be used to change the tone so don’t forget to experiment.

Caroline - The Blues

Envelope and sample/hold filter in one compact pedal.

Big wet and splashy - 60's outboard spring reverb tank.

A SUSTAINER, WAH, FILTER, PITCH SHIFTER, AND HARMONIZER ROLLED INTO ONE

The sounds of a 5E3 Tweed Deluxe and a 6G2 Brownface Princeton....

Pickup LesLee® is a cool little piece of analog onboard technology that extends the sonic spectrum of the electric guitar. It utilizes the two native voices of your bridge and neck pickups to generate a distinct percussive tremo-vibe sound simply by auto-alternating the pickup signals! Featuring onboard speed control."

Float boasts two independently controllable filters and copious capabilities for motion. Utilizing the two filters in tandem can create stereo movement, linked reactive elements, and modulations that approach harmonic tremolo and phaser, as well as classic filter sounds.

. It starts with three individual Expression Rampers, which are devices allowing you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. It then adds tempo syncing, new LFO shapes, and other external controls, all in one tidy box. It is the ultimate device for getting new sounds out of your existing expression-enabled pedals.

The Jimi Hendrix Fuzz Face Distortion is a meticulously faithful reproduction of the one used on classic albums such as Electric Ladyland.