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Born to slice through the mix or thicken up riffs, the Spidola was made to give professional and bedroom players alike the rich lead tones that guitar heros of old coaxed out of cranked amplifiers pushed over the edge by vintage treble boosters.

A 4-knob amp-in-a-box style overdrive with ramping control over its four parameters.

Telephone-Microphone and Preamp....

Fredric Effects - King of Clone

The Fredric Effects Standard Fuzz Machine is a new version of the classic Ibanez Standard Fuzz, also known as the Bruno/Mica Fuzz Machine.

The Pearl sinks its teeth into the low end and doesn't let go. The Pearl is a compact, simple to use, player-friendly pedal with a monster, low-end tone. In short, it is a force to be reckoned with.

Over the decades key artists such as Jerry Donahue, Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.

56 classic amps from the past and present. Can do stereo!

The Fredric Effects Standard Fuzz Machine is a new version of the classic Ibanez Standard Fuzz, also known as the Bruno/Mica Fuzz Machine. Newer Version with 2nd Footswitch.

Three completely different sounds => one pedal for a professional bass sound.

It's a pedal version of the preamp found in the old East German Vermona Regent 150 amp. The amp itself doesn't sound bad, but the preamp when used as an effect is really quite nice. Pic attached, let me know if you'd like to stock that pedal

Produced for only a few years, the IC (integrated circuit) muff is based on an entirely different circuit from any of the transistor muffs