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Next iteration of the AT, The AT+.

The Landphil is the signature bass distortion pedal for Landphil, the bassist for the badass cossover thrash band Municipal Waste!

The Silktone Fuzz has been updated with some cool new features starting with a couple of tone controls to subtly shape the sound of the fuzz. The tone controls are a product of the cleanup circuit so they shape the tone before heading into the fuzz.

Straight Flush is the single version of the famous Royal Flush dual overdrive. Using the GAIN toggle switch you can choose between the LOW Gain channel, the HIGH Gain channel and the TWEED Gain channel.

What is there to tap tempo on an overdrive, you ask? The gain of course. Best described sonically as an overdriven tremelo, the Tap-A-Scream has all the same features of the Screamer, while the 24 waveforms modulate the gain.

Mud killer as the name says, kills the mud on distorted Metal sounds. Controls how much unwanted frequencies enter before the distortion of the amp or pedal, which leaves the tone "muddy".

The Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…

Since the first Diablos hit the market 15 years ago they found a permanent place on thousands of pedalboards all over the world. The Dual adds some often requested features to the classic Diablo circuit.

The Del Mar was conceived in an effort to add a Tubescreamer-style clipping stage to the Klon Centaur. I’ve always loved the clean half of the Centaur, but my favourite clipping stage has always been the articulate and detailed response of the Tubescreamer.

The reissue features the same JRC4558D IC chip and analog circuitry as the original

The Hizumitas was designed for the one and only guitar sorceress, Wata, from the legendary band, Boris!