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The Halo Bender is a versatile distortion pedal created out of my desire for classic rock, guitar tones.

The MXR Poly Blue Octave brings modern and classic pitch-shifting styles together with fuzz and modulation to create the ultimate octave pedal for tonecrafters and sonic seekers.

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This is the one for you if you're looking for heavy death metal brutality to put in front of your amp or use as a preamp into your interface or power amp.

Flat V is a analog signal gain pedal with 2 channels and digital controls. Channel A is transistor based with selectable diodes. Channel B is amp style gain circuit with cascaded JFETs replacing valves. Synth style resonant filters shape the tone of channel B.

Modular Version of the beebo.....

56 classic amps from the past and present. Can do stereo!

A Reverb journey around the world and into space with real and artifical Reverb Rooms and Algorithms..... Ever been to Rome?

Based on the Peavey amp, this preamp pedal is built to achieve that super saturated death metal guitar tone. Famously stacked with chainsaw tones to get that Slaughter of the Soul guitar tone. This is the high gain channel as a standalone preamp with some modifications. My modifications maintain the original character but are what consider "quality of life" upgrades as they just make it slightly easier to dial in.

The Titan PreAmp Sweetener is tweaked to my taste and meant to be used with preamp pedals or in the FX loop of your amp that unfortunately doesn't have Presence and Depth controls. While this isn't true Presence control like your 5150, it's an emulation that brings additional character and life to your tone by simulating power amp dampening.

What started out seeking the warm overdrive of the 808 but precision tone shaping of the ST9 to create anything from tight modern metal to fat blues grit resulted in the GRIM overdrive. Mix the versatile range of tone shaping controls with additional headroom from the internal charge pump and it's off to riff city.