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Cascaded gain stages allow for the full range from clean boost to massive distortion, all without sacrificing tonal flexibility. The equalizer combines bass and treble shelving filters with an active, frequency-selectable midrange boost/cut control.

This new version of the Octavia pedal now also features my unique MagTraB switch and an additional EDGE control that determines the treble and harmonic content. Instead of germanium, Schottky diodes are now used, which sound simply fantastic!

The Sunny Day Delay is the latest revision of a classic Dr. Scientist pedal based on the famed PT2399 delay chip. This newest version now features a brand new tone control, mix knob and expression input all in a smaller form factor than previous versions. Offering classic, warm delay tones and ambient, modulated washes of repeats, the Sunny Day Delay can find a home on any pedalboard.

Mud killer as the name says, kills the mud on distorted Metal sounds. Controls how much unwanted frequencies enter before the distortion of the amp or pedal, which leaves the tone "muddy".

The Alma Compressor MKII - it retains all its original elements such as an internal voltage doubling circuit, and a Clean control to be blended with the compressed signal plus new features of the MKII are a Ratio switch, allowing the user to select between 2:1, 4:1 and 8:1 compression Ratios, as well as a visual indication of how much compression is being applied to the input signal.

he circa 1991 Sovtek "Civil War" Big Muff (dubbed that because of its blue and gray chassis) used the same circuit as the "Tall Font Green Russian" Big Muff and our EHX Green Russian Big Muff! The new Sovtek Deluxe Big Muff expands on that big, wooly sound with the addition of the Deluxe Big Muff's advanced controls while paying homage to the Civil War Big Muff aesthetic.

The Fredric Effects Unpleasant Companion MKII is an improved version of the classic Shin-Ei FY-2 Companion Fuzz, modified with a volume boost circuit to avoid the volume drop characteristic of vintage units and a scoop control to add to the versatility of the effect.

What started out seeking the warm overdrive of the 808 but precision tone shaping of the ST9 to create anything from tight modern metal to fat blues grit resulted in the GRIM overdrive. Mix the versatile range of tone shaping controls with additional headroom from the internal charge pump and it's off to riff city.

. It starts with three individual Expression Rampers, which are devices allowing you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a footswitch. It then adds tempo syncing, new LFO shapes, and other external controls, all in one tidy box. It is the ultimate device for getting new sounds out of your existing expression-enabled pedals.

Pickup LesLee® is a cool little piece of analog onboard technology that extends the sonic spectrum of the electric guitar. It utilizes the two native voices of your bridge and neck pickups to generate a distinct percussive tremo-vibe sound simply by auto-alternating the pickup signals! Featuring onboard speed control."

Cloudburst is several distinct reverbs in one, with beautifully tuned, natural sounding small spaces at one end of the Decay knob, and vast, expansive atmospheres at the other. As you turn the Decay control, numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio quality rooms of any size at the turn of a single knob.

Expression Slider is a fader for use with any pedal that has an Old Blood style expression input*. It is built for convenience and tactile experience, allowing external control where you need it - on the desk of your studio, velcroed to a guitar strap, or wherever else a TRS cable allows.