Suchergebnisse für: "pass may of the sound"

Limelight is a dual channel overdrive developed in collaboration with LA-based punk band Touche Amore.

A slew limiter smoothes out how quickly incoming voltage can change, limiting it to a fixed v/sec. slope. since time and frequency are intrinsically linked, this acts as a steep, somewhat distorted low pass filter.

The BUNKER is a MKII version of the Brown source drive pedal. It is smaller, louder and more tonally flexible.

The FIELD MARSHAL is a MKII version of the Big Cheese fuzz. Smaller, louder and more tonally flexible than the original it sits perfectly on a modern pedalboard.

Zoar is a medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that touch sensitive amp-like quality to it that everyone craves. It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.

Featuring a responsive and articulate attack generator plus an expanded control set, it also features our new Color knob that blends in a second low-pass filter to help you to go from a classic bom-chicka-wow-wow funk, all the way to rich, throaty and vocal filter sweeps.

Behold the Theremorph! Manipulate and mutate the powerhouse synth engine with Theremin-esque optical control. This Full-featured synth is packed with a DCO (digitally controlled oscillator) with analog wave shaping, low pass filter, envelope, and LFO. ....

The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur.

Big wet and splashy - 60's outboard spring reverb tank.