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The Redstone is a flexible preamp with a 3-band tone stack powered by a vintage NOS germanium transistor.

The Redstone is a flexible preamp with a 3-band tone stack powered by a vintage NOS germanium transistor.

Dual Overdrive/Boost and Distortion. TS808 meets Bluesbreaker....

This supernatural filter has a mind of its own. With its rhythmic paranormal activity, you may think there's a ghost at the helm.

The ATOM Nashville Overdrive is the green side of the Protein Dual Overdrive as a stand-alone unit. Imagine an ODR-1 and a Tube Screamer came together and ended the war between them - the strong alliance that would be formed is the ATOM.

The Titan PreAmp Sweetener is tweaked to my taste and meant to be used with preamp pedals or in the FX loop of your amp that unfortunately doesn't have Presence and Depth controls. While this isn't true Presence control like your 5150, it's an emulation that brings additional character and life to your tone by simulating power amp dampening.

What started out seeking the warm overdrive of the 808 but precision tone shaping of the ST9 to create anything from tight modern metal to fat blues grit resulted in the GRIM overdrive. Mix the versatile range of tone shaping controls with additional headroom from the internal charge pump and it's off to riff city.

This is the one for you if you're looking for heavy death metal brutality to put in front of your amp or use as a preamp into your interface or power amp.

This design started as a Rat style distortion but with the goal of more gain, loads more output, thick to tight low end, and of course it needed a clean blend for those of us who prefer that for gain stacking and the bassist out there. Drop the gain to zero, turn up the tight control, and use it as a boost or do just the opposite for massive doom.

T.H.E. Widower distortion will literally take your head off with its high gain, high sustain amp-like distortion sound.

Nine classic, vintage, rare, or hard to find variations of the green Screamer.

This Box of Rock simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost.