Suchergebnisse für: "the flat under this sea"

Earthquaker Devices - The Sea Machine is a chorus pedal with ultimate control over parameters rarely, if ever, seen in a chorus before

A gated fuzz-echo in collaboration with Jessica Dobson of Deep Sea Diver. The echo is from a tweaked data-sheet PT2399 that is perfectly tuned to the fuzz side and has the standard time, feedback and level (echo) controls combined with a with a silicon three-transistor fuzz variant.

The Halo Bender is a versatile distortion pedal created out of my desire for classic rock, guitar tones.

Flat V is a analog signal gain pedal with 2 channels and digital controls. Channel A is transistor based with selectable diodes. Channel B is amp style gain circuit with cascaded JFETs replacing valves. Synth style resonant filters shape the tone of channel B.

From pitch shifting flanger to highly resonant metallic sounds to reverb-like delays and recognizable swooshes, the Flat Light will induce motion to your sound no matter where it sits in your signal path.

Desktop Federhallgerät mit Multimodefilter, Overdrive, VCA, Hüllkurvengenerator, LFO und mehr...

Based on the Peavey amp, this preamp pedal is built to achieve that super saturated death metal guitar tone. Famously stacked with chainsaw tones to get that Slaughter of the Soul guitar tone. This is the high gain channel as a standalone preamp with some modifications. My modifications maintain the original character but are what consider "quality of life" upgrades as they just make it slightly easier to dial in.

The Violet Distortion is a new take on distortion/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier.

The Titan PreAmp Sweetener is tweaked to my taste and meant to be used with preamp pedals or in the FX loop of your amp that unfortunately doesn't have Presence and Depth controls. While this isn't true Presence control like your 5150, it's an emulation that brings additional character and life to your tone by simulating power amp dampening.

What started out seeking the warm overdrive of the 808 but precision tone shaping of the ST9 to create anything from tight modern metal to fat blues grit resulted in the GRIM overdrive. Mix the versatile range of tone shaping controls with additional headroom from the internal charge pump and it's off to riff city.

This is the one for you if you're looking for heavy death metal brutality to put in front of your amp or use as a preamp into your interface or power amp.

This design started as a Rat style distortion but with the goal of more gain, loads more output, thick to tight low end, and of course it needed a clean blend for those of us who prefer that for gain stacking and the bassist out there. Drop the gain to zero, turn up the tight control, and use it as a boost or do just the opposite for massive doom.