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High-Gain Distortion Pedal with built-in VCA Noise Gate

An independent overdrive and distortion each have their own sets of two germanium transistors as well as independent controls.

Designed in conjunction with indie pedal builder Analog Man, the MXR Duke of Tone Overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine.

Out of the box, this stereo pedal delivers three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack.

The FATRAT is the newest member of the RAT family. Using the highly acclaimed '85 Whitefact Reissue RAT as our platform, we added a bass enhancement circuit, a brand new switchable clipping section, and a whole lot more

The JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement.

This pedal was originally designed for J.Mascis. He requested two Box of Rock™ pedals in one box with two stomp switches.

Das Beste aus Tone Bender MkII fuzz und dem Rat distortion

Zoar is a medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that touch sensitive amp-like quality to it that everyone craves. It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.

Distortion? Fuzz? Filter? Synth? Dynamorph™ is all of these, and much more.

The EHX Micro Synth can create some of the most popular synthesizer textures with its four voices: GUITAR, OCTAVE, SUB OCTAVE AND SQUARE WAVE, which are completely independent and fully mixable.

What started out seeking the warm overdrive of the 808 but precision tone shaping of the ST9 to create anything from tight modern metal to fat blues grit resulted in the GRIM overdrive. Mix the versatile range of tone shaping controls with additional headroom from the internal charge pump and it's off to riff city.