Suchergebnisse für: "play locking under the tail"

Based on the coveted Maestro Bass Brassmaster, Krytical Mass was born from exhaustive critical analysis into the inner workings of that Holy Grail device

DISORDER ist ein sehr aggressives Fuzz-Pedal mit einem besonderen Feature. Ausgestattet mit einem selbstoszillierenden Hoch- und Tiefpass-Filter lassen sich ausdrucksstarke, oszillierende Fuzz-Sounds erzeugen.

Gritty overdrive, low gain fuzz, vintage preamp - no matter how you call it, the Holy Grit combines the clarity and dynamic response of a great overdrive with the raw and complex texture of a vintage fuzz.

The Swarm is an Analog Fuzz Harmonizer that sounds like a thousand killer bees coming to get you!

The sound of this fuzz-pedal is influenced by an old underrated box of the 1970, the classic Jordan Bosstone.

A gated fuzz-echo in collaboration with Jessica Dobson of Deep Sea Diver. The echo is from a tweaked data-sheet PT2399 that is perfectly tuned to the fuzz side and has the standard time, feedback and level (echo) controls combined with a with a silicon three-transistor fuzz variant.

Chaosculpt Bass is a fuzz for bass featuring an advanced blend circuit and an active 3 band parametric EQ.

he circa 1991 Sovtek "Civil War" Big Muff (dubbed that because of its blue and gray chassis) used the same circuit as the "Tall Font Green Russian" Big Muff and our EHX Green Russian Big Muff! The new Sovtek Deluxe Big Muff expands on that big, wooly sound with the addition of the Deluxe Big Muff's advanced controls while paying homage to the Civil War Big Muff aesthetic.

Distortion? Fuzz? Filter? Synth? Dynamorph™ is all of these, and much more.

A two-transistor vintage Japanese style fuzz with an extra wide ranging Bias control that allows you to dial in a sweeping array of fuzz tones and timbres.

Third Man Hardware and Gamechanger Audio announce the PLASMA Coil, a special version of the PLASMA Pedal created by Gamechanger Audio and Third Man Records.

The Silktone Fuzz has been updated with some cool new features starting with a couple of tone controls to subtly shape the sound of the fuzz. The tone controls are a product of the cleanup circuit so they shape the tone before heading into the fuzz.