Effektgeräte

Zerre die auch tiefe Frequenzen kann. Das Einsatzgebiet ist jedoch nicht auf Bassgitarren beschränkt. Auch mit Synthesizern oder Gitarren macht das Pedal eine gute Figur.

A slew limiter smoothes out how quickly incoming voltage can change, limiting it to a fixed v/sec. slope. since time and frequency are intrinsically linked, this acts as a steep, somewhat distorted low pass filter.

Just when you thought it couldn't get more evil... Adjust the cascading gain stages to get the classic black metal tone or crank them to get crazy high gain riffage.

This design started as a Rat style distortion but with the goal of more gain, loads more output, thick to tight low end, and of course it needed a clean blend for those of us who prefer that for gain stacking and the bassist out there. Drop the gain to zero, turn up the tight control, and use it as a boost or do just the opposite for massive doom.

T.H.E. Widower distortion will literally take your head off with its high gain, high sustain amp-like distortion sound.

Cat King is back in a new, smaller design, packed with loads of features giving you the best bang for your buck for distortion/overdrive!

With the EHX Operation Overlord Allied Overdrive, whether you play guitar, bass, keyboards or pretty much any electronic instrument — dialing in great drive sounds is fast and foolproof.

One knob fuzz. In fact it’s a one knob - one toggle switch-fuzz.

Distortion - Der Gainregler lässt das Pedal von nahezu „clean“ bis zu „heftigen dicken Distortion“ erklingen. Dabei bleibt das Pedal jederzeit anschlagsdynamisch und reagiert feinfühlig auf deine Finger.

Das Antiheld Bass Distortion Pedal ist deine Schmiede für klangliche Experimente am Bass. Ganz gleich, ob du subtile Verzerrungseffekte oder brachiale Distortion-Sounds suchst – mit dem Antiheld Bass Distortion Pedal hast du die Werkzeuge, um deinen Sound zu gestalten.

The Colour Box is ten years old, and to celebrate, we're offering a special colorway in a pro-audio aesthetic!

The JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement.