Effektgeräte

The “DG Fuzz ” is effectively a “dual pedal” consisting of a simplified version of our “The Ace” tone booster pedal coupled with a 1960s style fuzz and a typical period tone stack. The inclusion of a buffer means the pedal can be placed anywhere in a chain of pedals without changing the behaviour of the fuzz circuitry.

The Flattley Wah is a very tight, articulate and vocal sounding Wah pedal which can handle as much gain as you want depending on your style of music. It also remains very tonal if being used clean, giving you an awesome individual expressive tone that will wow your audiences.

The “Revolution” dynamic overdrive pedal is a powerful and very flexible overdrive pedal. It’s based on a tube screamer style circuit but on “steroids” giving you smooth creamy overdrive tones full of depth and reactive sounds depending on your style of playing.

The idea behind the Solaris Pro was to create a simple fuzz box that would do a few tones well, a “fuzz without fuss”. To this end the gain is pre-set to max, the volume control of your guitar can be used to change the tone so don’t forget to experiment.

The Centurion is a transparent overdrive in the same way that a Klon Centaur is. Transparent means that it doesn’t drastically change the colour of your tone so when you turn the pedal on, it won’t sound like a different guitar tone. It will sound like the same tone, but better. My Strat is just “more Strat”… etc.

The “Violet” pedal is an easy to use tremolo pedal with a classic style designed circuit and gorgeous warm tones.

The Squish As is the perfect always-on compressor with controls you understand.

The Del Mar was conceived in an effort to add a Tubescreamer-style clipping stage to the Klon Centaur. I’ve always loved the clean half of the Centaur, but my favourite clipping stage has always been the articulate and detailed response of the Tubescreamer.

The Sick As Overdrive is a diversion from the well-worn path, taking its basic structure from the Klon Centaur® but with some major improvements for the modern player. The gain control serves a dual purpose— as the gain is increased, the ratio of gain-to-clean tone increases as well.

From recalling presets to tapping in tempos, MiniSwitch adds another layer of functionality to your Strymon pedals at the press of a button.

Cloudburst is several distinct reverbs in one, with beautifully tuned, natural sounding small spaces at one end of the Decay knob, and vast, expansive atmospheres at the other. As you turn the Decay control, numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio quality rooms of any size at the turn of a single knob.

Plug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere.