Effektgeräte

The Titan PreAmp Sweetener is tweaked to my taste and meant to be used with preamp pedals or in the FX loop of your amp that unfortunately doesn't have Presence and Depth controls. While this isn't true Presence control like your 5150, it's an emulation that brings additional character and life to your tone by simulating power amp dampening.

Based on the Peavey amp, this preamp pedal is built to achieve that super saturated death metal guitar tone. Famously stacked with chainsaw tones to get that Slaughter of the Soul guitar tone. This is the high gain channel as a standalone preamp with some modifications. My modifications maintain the original character but are what consider "quality of life" upgrades as they just make it slightly easier to dial in.

What started out seeking the warm overdrive of the 808 but precision tone shaping of the ST9 to create anything from tight modern metal to fat blues grit resulted in the GRIM overdrive. Mix the versatile range of tone shaping controls with additional headroom from the internal charge pump and it's off to riff city.

This is the one for you if you're looking for heavy death metal brutality to put in front of your amp or use as a preamp into your interface or power amp.

JFET Boost Pedal

Based on the coveted Maestro Bass Brassmaster, Krytical Mass was born from exhaustive critical analysis into the inner workings of that Holy Grail device

Mind Abuse is a high gain distortion pedal which has three distortion structures type switch as classic, vintage and modern. It is designed to create high gain distortion tones with very low noise level by using a tube, solid state or modelling amp for every hard rock and extreme metal music genres. All you need good clean sound.

Octaves, Fuzzes, Filters, Wahs—that's the stuff we love, Oh Yeah!!

Signature distortion pedal inspired by classic SD-9 circuit

FLWR is an overdrive, distortion and sometimes fuzz! It starts very clean and gets up into Fuzz territory at max settings. It's designed to help you find your own breakup point, so your playing can stay dynamic and full range and still breakup nicely when pushed.

Octaves, Fuzzes, Filters, Wahs—that's the stuff we love, Oh Yeah!!

Debuted at Winter NAMM in 2010, the Triskelion® elicited hushed whispers, envious glances, and more than a little head-scratching. It was also greeted by an e-mail from Dweezil Zappa, who ordered three of them for his touring rig.