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Like the original from 1980, the new Crash Pad can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter.

A string that feels like a flatwound, but sounds closer to a roundwound with a mellow sound that is tightly defined. Short, Meduim and Regular Scale.

The Heavy Menace is the an evolution of the original Heavy with new features and a compact enclosure. Including independent Noise Gate.

The Dub King produces the thick, deep tone you’d expect from a short scale neck and semi-hollow body. But unlike most basses of this type, it has excellent clarity and sustain thanks to the five-piece neck and high mass bridge. You can even solo the Split Brick neck pickup for super deep thump, and the split pole design keeps it focused. And it can slap!

At the heart of the Prometheus 3 are an analog high pass and low pass filter inspired by our favorite 1970s monophonic synthesizer classic. Like the MS20 these filters are controlled separately. You can make them do completely different things at the same time.

The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah.

TARS is a fuzz/analog filter pedal. It means "This Audio Reached Singularity".

Desktop Federhallgerät mit Multimodefilter, Overdrive, VCA, Hüllkurvengenerator, LFO und mehr...

Volumenpresetschalter. EInfach (aber) genial.

Octaves, Fuzzes, Filters, Wahs—that's the stuff we love, Oh Yeah!!

The BLOSSOM FILTER is RANDALE PEDALE´s missing link between modulated wah and tremolo.