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At the heart of the Prometheus 3 are an analog high pass and low pass filter inspired by our favorite 1970s monophonic synthesizer classic. Like the MS20 these filters are controlled separately. You can make them do completely different things at the same time.

Like the original from 1980, the new Crash Pad can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter.

Ledges is a compact, three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options.

The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah.

The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

Featuring a responsive and articulate attack generator plus an expanded control set, it also features our new Color knob that blends in a second low-pass filter to help you to go from a classic bom-chicka-wow-wow funk, all the way to rich, throaty and vocal filter sweeps.

TARS is a fuzz/analog filter pedal. It means "This Audio Reached Singularity".

Envelope and sample/hold filter in one compact pedal.

Volumenpresetschalter. EInfach (aber) genial.

Octaves, Fuzzes, Filters, Wahs—that's the stuff we love, Oh Yeah!!

The BLOSSOM FILTER is RANDALE PEDALE´s missing link between modulated wah and tremolo.

Psycho HP/BP/LP filter with LASER ETCHED ENCLOSURE. Can be pushed past the limit to glitch out into octaves up, down, and envelope folds.