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A gated fuzz-echo in collaboration with Jessica Dobson of Deep Sea Diver. The echo is from a tweaked data-sheet PT2399 that is perfectly tuned to the fuzz side and has the standard time, feedback and level (echo) controls combined with a with a silicon three-transistor fuzz variant.

The Halo Bender is a versatile distortion pedal created out of my desire for classic rock, guitar tones.

At the heart of the Prometheus 3 are an analog high pass and low pass filter inspired by our favorite 1970s monophonic synthesizer classic. Like the MS20 these filters are controlled separately. You can make them do completely different things at the same time.

TARS is a fuzz/analog filter pedal. It means "This Audio Reached Singularity".

This design started as a Rat style distortion but with the goal of more gain, loads more output, thick to tight low end, and of course it needed a clean blend for those of us who prefer that for gain stacking and the bassist out there. Drop the gain to zero, turn up the tight control, and use it as a boost or do just the opposite for massive doom.

Envelope and sample/hold filter in one compact pedal.

The BLOSSOM FILTER is RANDALE PEDALE´s missing link between modulated wah and tremolo.

The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before.

Based on the Peavey amp, this preamp pedal is built to achieve that super saturated death metal guitar tone. Famously stacked with chainsaw tones to get that Slaughter of the Soul guitar tone. This is the high gain channel as a standalone preamp with some modifications. My modifications maintain the original character but are what consider "quality of life" upgrades as they just make it slightly easier to dial in.