Suchergebnisse für: "past may of the sound"

Over the decades key artists such as Jerry Donahue, Tom Bukovac, Guthrie Trapp, Carl Verheyen, John Shanks, Tim Pierce, Robbie McIntosh, Clem Clempson, Micky Moody and countless other amazing players have made the ODR-1 Natural Overdrive part of their sonic arsenal. While all single coil guitarists as well as most humbucker users and even bassists love the clarity and versatility of the full sound of the ODR-1 some heavy humbucker players asked for the chance to reduce the sub-bass end.

Synthy, lo-fi, obscene fuzz. The enormous quantities of rum consumed during the development of this idiosyncratic fuzz have paid off well.

A revolutionary polyphonic pitch shifter pedal created in cooperation with Fender Musical Instruments Co.

Dirty Murals delivers complex delay and reverb with powerful controls for each, in a small 125B enclosure. Two distinct delay and reverb styles create a variety of rich, lush, ambient, textured sounds.

The goal in creating the ZIO Analog Front End + Boost was simple yet ambitious: "Make Everything Sound Better!" ZIO is an all-analog preamp/boost pedal that includes a choice of four distinct preamp circuits, each with up to +20dB of additional output boost. ZIO is Source Audio's first all-analog effects pedal and designed in collaboration with Christopher Venter, the owner and sole engineer at SHOE Pedals.

With a carefully tuned, added midrange frequency register, the Tubedreamer delivers warm and rich overdriven sound through any amp.

Its dark legend is told for thousands of years - an old creature, full of grief and malice he will bring destruction and terror over the tracts of land. Feel the fear and the destructive energy of that ancient monster with the WURM.

ABOUT The Cat King is the "king sized" version of our Cat Tail, a low to high gain distortion with overdrive capabilities (some even say at high gain settings, it sounds like a fuzz).

The new Super Lead Overdrive pedal has the perfect balance of gain, sustain, and touch responsethe SLO is known for.Crafted using the same cascading gain stages as the flagship amp, the SLO pedal isthe perfect way to get that signature Soldano sound on to your pedalboard.

The Sub Octave Bass Fuzz combines two different fuzzes with a growling sub octave signal, featuring an array of controls to fine-tune your sound, including a separate Dry volume control to ensure clean low end retention.

The Death Master is my attempt to capture the iconic guitar sound from Celtic Frost's classic album "To Mega Therion"

An analog synth pedal that actually sounds like… A SYNTH.