Suchergebnisse für: "catalinbread the topanga spring reverb"

2-in-1 combo pedal featuring the Germanium Boost and the Halberd.

The Equilibrium DLX is our updated vintage modulation pedal - evoking the buttery, sputtery, wobbly sounds of yesteryear. While the Equilibrium DLX sounds completely vintage, it crams all the "mod cons" into a pedalboard-friendly package.

The “DG Fuzz ” is effectively a “dual pedal” consisting of a simplified version of our “The Ace” tone booster pedal coupled with a 1960s style fuzz and a typical period tone stack. The inclusion of a buffer means the pedal can be placed anywhere in a chain of pedals without changing the behaviour of the fuzz circuitry.

The Heavy Menace is the an evolution of the original Heavy with new features and a compact enclosure. Including independent Noise Gate.

The Moonlight is the Greuter version of the legendary Fuzz Face. Since an original Fuzz Face is not always easy to use, it is designed to adapt better without loosing the vintage character and feel.

Time and Space are lost within the sound of the universe. Breath in and breath out, slow down and be ready for the Astrospurt.

The Tamura-mod TS808 is the culmination of a three-year quest by Mr. Tamura to replicate the best sounding TubeScreamer of all time.

The new Super Lead Overdrive pedal has the perfect balance of gain, sustain, and touch responsethe SLO is known for.Crafted using the same cascading gain stages as the flagship amp, the SLO pedal isthe perfect way to get that signature Soldano sound on to your pedalboard.

The Wild Kyle is the signature distortion for Kyle Shutt guitarist for The Sword! High gain, nice and bright with an active three band EQ in all the sweet spots!

The drive of the original classic Big Muff Pi and the earthy support of a bass tailored design with no loss of low end!

The Love Machine™ is our tribute to one of the most sought after, classic fuzz circuits from the rich tonal history of fuzz. The Love Machine™ is dripping with vintage, chewy, organic fuzz tones, and a blendable octave up for cutting through the mix.