Suchergebnisse für: "consol painted and tube sound all tx"

At its core, the POG3 delivers lightning-fast tracking and perfect polyphony over 4 octaves with smoother tone and performance than ever before. From 12-string jangle to 6-voice drawbar organ sounds, the POG3 delivers an endless possibility of tone creation. The pedal has received many updates that further expand its tone shaping possibilities to enhance your performance on stage and in the studio.

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Dusk is a digitally controlled analog filter. At its heart is an analog 12dB/Octave low pass filter based around an old-school integrated circuit called an Operational Transconductance Amplifier or OTA. The OTA runs off of split +/-9V rails for great audio quality and a deep filter sound.

Das Snazzy FX Tracer City ist eine bemerkenswerte Filter/ Multi-Sound Box für DJs, Gitarristen, Produzenten, Bassisten und Keyboarder, die ihren Sound um eine Vielzahl interessanter Texturen erweitern wollen. 

THE MYSTIC IS AN EXPERIMENTAL FM SYNTH WITH 2 CARRIER FREQUENCIES, 2 MODULATORS, AND AN ANALOG STYLE DELAY. ALL OF THE SYNTH PARAMETERS ARE CONTROLLABLE VIA CV AS WELL AS TIME CONTROL IN THE DELAY SECTION.....

The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else.. now with Tap Tempo

The MXR Layers Pedal blooms with rich, organic sustain that imbues every strum and pluck with resonance and depth—pull off chord voicings you never thought possible, compose transcendent melodies, orchestrate harmonic ensembles, create lively stereo pads, and more—all from a standard MXR housing.

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STEREO FIELD is one instrument with three uses. It is simultaneously a stereo/quad modular touch plate feedback atonal synthesizer, a stereo/quad audio processor and a pressure sensitive chaotic CV "controller". All three uses are available separately as well as simultaneously and in conversation with each other.

Like the original from 1980, the new Crash Pad can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter.

Versatile effects box that yields both borderline conventional sounds (it can sound great as a chorus or slapback) and a vast array of weirder sounds that defy categories... flanging, modulated reverb, notes flying everywhere in unpredictable ways, swirling high frequency sighs etc.

An uber-flexible LFO, dedicated time sequencing, and resonant low-pass filter combine for the bounciest digital delay oscillations you can imagine.