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6 Muffs in einer Kiste...

CROM is a BC184 Supa Tone Bender style fuzzstortion like our original Olympia™, but with a classic tweed amp style tone control (MOUNTAIN) that interacts with the SWORD (gain) control.

Das Park Fuzz heißt in Europa Colby Fuzz....

Flat V is a analog signal gain pedal with 2 channels and digital controls. Channel A is transistor based with selectable diodes. Channel B is amp style gain circuit with cascaded JFETs replacing valves. Synth style resonant filters shape the tone of channel B.

Selectable Three-Circuit Tone Bender-Style Fuzz Pedal - ACCURATELY RECREATING TWO OF THE MOST ICONIC TONE BENDER FUZZ PEDALS + A BONUS MODERN CIRCUIT

The Blues Power is a true transparent overdrive. It produces a full range, amp-like tone with responsive bass and treble controls, wide range drive control, internal switches for middle frequency adjustments, and a volume control with enough output to drive even the most stubborn tube amp. This is a mighty overdrive indeed.

Inspired by first-era silicon model Arbiter FuzzEs

p>How do you create a circuit that combines the singing, dynamic, mid-range germanium fuzz saturation and the gritty, full-bodied and well-rounded muff-style fuzz-distortion?</p>
<p>Eureka!</p>

The “DG Fuzz ” is effectively a “dual pedal” consisting of a simplified version of our “The Ace” tone booster pedal coupled with a 1960s style fuzz and a typical period tone stack. The inclusion of a buffer means the pedal can be placed anywhere in a chain of pedals without changing the behaviour of the fuzz circuitry.

The T4 is our take on the classic 4 transistor fuzz, similar to the circuits used in the big muff and countless other variants.

Tired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have Shigeharu™.

TWO BOUTIQUE PEDALS IN ONE: Fuzz into Drive. Drive into Fuzz. Fuzz out to your Wah, back into Drive.