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Our 76 offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks, such as a quiet signal or fragile wiring.

The Lysis MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!!

The Dresden Synth Fuzz is a quite unique pedal. Combining two synthy-sounding octave fuzzes run in parallel - an upper and lower octave fuzz - it covers the whole frequency range.

Housed in a smaller, compact footprint, the Cutting Room Floor V3 provides beautifully marred saturated tape tone and ethereal repeats. Imagine an abandoned factory with a fluttering tape machine left on infinite replay.

A SUSTAINER, WAH, FILTER, PITCH SHIFTER, AND HARMONIZER ROLLED INTO ONE

Instantly create matching harmonies to what you play.

The Sub Octave Bass Fuzz combines two different fuzzes with a growling sub octave signal, featuring an array of controls to fine-tune your sound, including a separate Dry volume control to ensure clean low end retention.

An analog synth pedal that actually sounds like… A SYNTH.

The smallest member of the polyphonic POG clan provides impeccable tracking and sound!

The Pitch Fork®+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it's your ultimate harmonizer.

The BitQuest is a simple multi-effect pedal, no menus or presets, but it has 8 different weird and cool effects and enough control to be quite powerful.

Based on the coveted Maestro Bass Brassmaster, Krytical Mass was born from exhaustive critical analysis into the inner workings of that Holy Grail device