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The HT Club 40 is a highly versatile amplifier suited to a wide range of playing styles and situations. The Clean Channel has two modes, ‘boutique’ and ‘modern’ and its own Tone control provides a wide range of clean tones.

The BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature that we call GAIN CYCLE, and a 3 band active EQ for maximum tonal flexibility. To top it off, we added a boost circuit which is the same type of MOSFET boost circuit found on our top selling PRISM Preamp pedal.

Stereo pitch vibrato and reverb effect

Valve drive pedal and a world-class valve recording preamp – with 3 crunch/overdrive voices alongside the clean channel, our patented ISF control, low latency USB, XLR out and Dept. 10’s proprietary Cab Rig simulator technology and Headphone-out.

The Empress Tremolo2 is an original design built from the ground up to include innovative features without sacrificing tone. The audio signal path is analog, but the tremolo effect is controlled digitally via opto technology.

Everything great about the original Compressor tuned for bass!

The Tensor™ gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions you can combine in creative ways.

HT-5R MkII takes this revered design a step further with incredible performance and game-changing new features from dynamic power reduction to 0.5W and footswitchable voices, to XLR DI out and direct USB recording.

Das Red Panda Particle ist ein sehr spezielles Delay / Pitch Shifting Pedal.

The Fredric Effects Standard Fuzz Machine is a new version of the classic Ibanez Standard Fuzz, also known as the Bruno/Mica Fuzz Machine.

The Fredric Effects Deeply Unpleasant Companion is an improved version of the Shin-Ei FY-2 Companion Fuzz. Following requests from bass players, we've modified this circuit to preserve more of the low frequencies and added a clean blend function.

Capable of low gain grit to touch sensitive crunch to searing leads, its multiple unique discrete gain stages with distributed dual gain controls allows the user to dial in a wide range of harmonically complex distortion tones.