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Just like the vintage preamp it's modeled after, the Teisco Boost is loaded with a field-effect transistor (FET) for softer, more organic clipping and can run at 24V via the voltage switch for extra headroom.

Overdrive based on the legendary 1959 Tweed Fender Bassman.

The Lysis MKII is finally here! Is it a fuzz pedal, an octave, a sweeping filter, some kind of synth machine? YES!!

The BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature that we call GAIN CYCLE, and a 3 band active EQ for maximum tonal flexibility. To top it off, we added a boost circuit which is the same type of MOSFET boost circuit found on our top selling PRISM Preamp pedal.

What is there to tap tempo on an overdrive, you ask? The gain of course. Best described sonically as an overdriven tremelo, the Tap-A-Scream has all the same features of the Screamer, while the 24 waveforms modulate the gain.

Stereo pitch vibrato and reverb effect

The MXR Poly Blue Octave brings modern and classic pitch-shifting styles together with fuzz and modulation to create the ultimate octave pedal for tonecrafters and sonic seekers.

Not too hot, not too cold, but just right.

Designed for bass, a favorite for guitar, this incredibly sub-frequency-preserving unit will hold on to the lowest lows like no fuzz ever heard before.

The Equilibrium DLX is our updated vintage modulation pedal - evoking the buttery, sputtery, wobbly sounds of yesteryear. While the Equilibrium DLX sounds completely vintage, it crams all the "mod cons" into a pedalboard-friendly package.

The Tensor™ gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions you can combine in creative ways.