Andere Pedale

REPLAY ACCESSORIES is an expansion kit designed to enhance the functionality and customization of your Replay synthesizer.

The Razor Fuzz is an intense, spitty, gated fuzzbox, with a ‘virtual plectrum’ facility; choose which one of four virtual plectrums you’d like to use!

Unlock hands-free control of your pedals and modular gear with the XCV—a dual-channel modulation distributor designed to keep your setup perfectly in sync. Each channel offers two simultaneous outputs (2 Expression + 2 CV), delivering a total of four outputs.

New high-definition displays ignite punchy text, icons and bold colors for next-level visual clarity, while BLE (Bluetooth Low Energy) MIDI delivers wireless freedom.

MIDNATTSSOL is like the final boss of Fuzz Faces and Uni-Vibes — the most party-friendly, lovely, and magical circuits of all.

Meet GEMINUS - all of KMA’s True Double Tracker goodness in a compact pedal that’s suitable for any board. Whether playing live or recording with a single instrument, GEMINUS is the perfect solution for adding “fatness” and “width” to your performances - it really does feel like you are playing the same riff twice!

Mirror House creates two pitch-shifted copies of an incoming signal which veer off into equal and opposite directions. This diametric approach to pitch shifting is capable of weird detuning, disorienting microtonal clusters, chords of parallel harmony, or ugly, strange dissonance. (It can also be a chorus.)

Combining a classic resonant filter with a proprietary optical envelope-detection circuit—the LF-01 literally turns your instrument into an analog synth.

Spinning Magnetic String Resonator for steel stringed instruments.

Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded ‘oil-can delay’ pedal right into a multi-too

A slew limiter smoothes out how quickly incoming voltage can change, limiting it to a fixed v/sec. slope. since time and frequency are intrinsically linked, this acts as a steep, somewhat distorted low pass filter.

The Zenith And Vales pedal produces unconventional, angular fuzz tones with intense digital distortion, resulting in wild peaks and valleys.