Reverb

Bathing is a liminal delay: perhaps a reverb, or a phaser, or a classic delay, but never exactly any one of these things. It’s a style of effect unique to the Old Blood lineup. You pick the overall delay time, the number of allpass filter stages it runs through to get there, and how you want to modulate the character of those stages. Turn knobs, fear not, and be sure to save that preset when you find it!

High dynamic range, classic fuzz meets beautiful spring reverb in a super convenient package.

FJÆR is built around the lush spring reverb you know from DOVRE, now with full control and studio-grade flexibility.

The rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond* organs, the Leslie* was a rotating speaker that created the recognizable Doppler effect (think church organ). You’ve heard rotary effects on everything from It’s Only Love by the Beatles to Cold Shot by Stevie Ray Vaughan and from City Love by John Mayer to Black Hole Sun by Soundgarden.

DIGITAL DELAY - REVERB - SAMPLE REDUCER - CLOCK SEQUENCER

The BitQuest is a mono multi-effects module featuring 8 fun and adventurous patches that can be used with or without a built-in digital fuzz.

Stereo Soundscape Reverb

The AUTO REVERB offers you three expansive and precise reproductions of the most frequently used types of reverberation. And automation features....

The Pull Focus is a high gain distortion pedal, with either a reverb or chorus effect fading in after a short while.

Diana Ross had the Supremes, Brian Wilson had the Beach Boys, Kraftwerk had The Robots. You have the Voice Box.

Versatile effects box that yields both borderline conventional sounds (it can sound great as a chorus or slapback) and a vast array of weirder sounds that defy categories... flanging, modulated reverb, notes flying everywhere in unpredictable ways, swirling high frequency sighs etc.

Prismatic Wall utilizes a physical string model formed by tuned delay lines. Tuning is achieved by varying the sample rate of the system, manipulating the physical model in decidedly non-physical ways.