Effektgeräte

Scrolls Bass Odyssey is a sonic pilgrimage through the entire universe of electric bass tone. From Motown to Metal and everywhere between and beyond. With a tube amp-like drive channel, an active EQ channel with three push-button switches for one-click tone sculpting, buffered parallel out, onboard effects loop, and balanced XLR out featuring just a splash of analog filtering to emulate a speaker cabinet, Scrolls is a powerful, modern tool that’s compact and versatile enough to be the only thing you need to play a session or show other than a bass.

Plug into pure nostalgia. Artifakt delivers all the hazy, scratchy, wobbly, and beautifully broken tones that embody the lo-fi sound.

As requested by many of you this is our take on a 2-channel version of the FleshRot with a clean voiced similar to the original added. This is the one for you if you're looking for heavy death metal brutality to put in front of your amp or use as a preamp into your interface or power amp

Colortone Parasite is a versatile JFET based harmonically rich ‘Full Spectrum’ Overdrive guitar pedal with Treble Boost features and active tone controls.

Shoegaze In A Box

The Moby Dick is not just another tape delay. The Moby Dick goes beyond traditional tape emulation, with unique and creative tools packed inside. Experimental features alongside the warmth and charm of a vintage tape delay. It is a spiritual successor to its namesake, but loaded with new quality-of-life and sonic ingredients.

rosetones creates a polyphonic synth voice that follows your playing. it listens to your notes and routes them through sympathetic resonators, creating blooming harmonic textures and evolving chords.

Setback focuses exclusively on the magical texture of sounds in reverse, without anything else getting in the way. With a streamlined control set, the user controls sample rate, delay time and playback speed, creating pitch shift effects and much more, with all the utilitarian bells and whistles of the modern era included: stereo in and out, presets, full MIDI control and so on.

The F1 consists of two separate filters; on one side the filter can sweep between 50Hz and 6Khz and you can select between Low-Pass and Hi-Pass.

The Black Fortress started out as an HM-2 inspired bass distortion. HM-2? What? Isn't that shit overplayed in the game now? Well not this one. It has evolved into it's own unique BEAST set for maximum beef and grind!

It's a 4 stage phaser with a sample and hold control that allows for a smooth LFO all the way to choppy random phase blips! WIDTH and RATE control the shape and speed of the sample and hold, SPEED controls the main speed of the phaser LFO and OUTPUT is the master volume control.

The Monster Fuzz is a souped up Frankensteined Super Fuzz octave style fuzz. What's super rad about this one is that the VOLTS control sets the internal voltage anywhere from 4-18VDC and LOW and HIGH are low/high frequency controls so along with the SCOOP control you can get all kinds of wild Super Fuzz style tones!